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handpress:   a simulation of hand-press composition
9.2

handpress: a simulation of hand-press composition🔗ℹ

A compositor of the hand-press era, simulated: casting off, spelling habit, justification, foul case, imposition, skeleton formes, and stop-press correction. And then the New Bibliography run back over the result, trying to recover from the printed page what the record says actually happened.

Scribble is itself a typesetting system, which makes documenting a typesetting simulation in it a small pleasure.

The modules, in dependency order. They are declared here rather than merely named, because declare-exporting attaches bindings to a module without defining the module itself — so every module link in this manual dangled, and raco setup had been saying so.

 (require handpress/metrics) package: handpress
 (require handpress/paper)
 (require handpress/typecase)
 (require handpress/orthography)
 (require handpress/copytext)
 (require handpress/corrector)
 (require handpress/compositor)
 (require handpress/imposition)
 (require handpress/prelims)
 (require handpress/titlepage)
 (require handpress/book)
 (require handpress/press)
 (require handpress/cancels)
 (require handpress/binding)
 (require handpress/render)
 (require handpress/description)
 (require handpress/tei)
 (require handpress/analysis)
 (require handpress/validate)
 (require handpress/lexicon)
 (require handpress/reconstruct)

    1 Using it

    2 What is modelled

      2.1 Casting off

      2.2 Justification

      2.3 Spelling habit

      2.4 The elided ending

      2.5 Stints, and how the frame changes hands

      2.6 The compositor’s freedom with his copy

      2.7 Space-metal, and why justification is quantised

      2.8 The lay of the case

      2.9 Damaged and worn type

      2.10 Imposition and the skeleton forme

      2.11 The sheet, and the size it makes

      2.12 Standing type, and what a gathering costs in metal

      2.13 Catchwords, and why they can disagree

      2.14 Signatures, and who puts them there

      2.15 The preliminaries, and why they have a series of their own

      2.16 Telling what the preliminary matter is

      2.17 The title-page

      2.18 The last sheet, and what becomes of the white paper

      2.19 Cancels, and why the cause is not simulated

      2.20 The heaps, and why a copy is not a random draw

      2.21 Gathering, folding and the binder’s errors

      2.22 The corrector

      2.23 At press

    3 The bibliographical description

    4 TEI, and the facsimile rebuilt from it

      4.1 Leaves, openings, and which side you are looking at

      4.2 Fitting the face to the body

      4.3 Running the transform

    5 The lexicon

      5.1 What is in it

      5.2 How the variants are grouped

      5.3 Rebuilding it

    6 Calibration

    7 What is reconstructed

      7.1 Backwards: the editor’s problem

    8 The objection

    9 The sources

    Bibliography

    10 What the archives say about rates

    11 What is not modelled